Baltic Analog Lab

  1. Organic Film

    16mm film workshop with Ieva Balode (Baltic Analog Lab, LV)

     

    The workshop will be dedicated to 16mm black and white cameraless filmmaking applying  plants on a film and plant-based organic chemicals made from plants found at Rucka Manor park. Plants will be applied to the film surface using their own chemical components, sunlight and organic chemicals found in every household – vitamin C and washing soda. Films will be produced without a camera in two environments offering two cameraless filmmaking techniques – phytography (a technique inherited from filmmaker Karel Doing) and photograms – image making in the darkroom using light, shadow and organic materials. 

    Participants will be also introduced to the 16mm projector and film camera.

     

    During the summer school participants will have the opportunity to create their own cameraless films or shoot 16mm black and white film in groups using a Bolex camera and negative film processed in organic chemicals. Filmstock will be provided. 

     

    Ieva Balode (1987) is an artist and film curator working with the analog image. With her works she takes part in international exhibitions and festivals, presenting her work both as nstallation, as well as cinema and performance. As a film curator she is a founding member of Baltic Analog Lab - an artist collective providing a space and platform for analog film production, research and education, who have been teaching film workshops in various places in Latvia, Ireland, Finland as well as presenting film programmes at European film festivals and events. She is also director of the experimental film festival Process happening in Riga since 2017, and has been teaching at Riga Stradiņš University since 2017. 

    http://ievabalode.com/


  2. Baltic Salt Prints

    Analog photography workshop with Gintautas Trimakas, LT

     

    In this experimental photography workshop, Gintautas will offer participants the opportunity to experiment with the Baltic Salt Print technique he has developed in the past years. The technique is based on historical photographic technologies - back in 1841, the pioneer of photography, Henry Fox Talbot, invented a negative and positive image extraction method that became the basis for analogue photography. The process uses a special material that gives paper a light sensitive property. Trimakas, however, resists the principles of history and photographic technology, and transforms the usual method of extracting analogue photographs by using the water of the Baltic Sea. This new technology makes it possible to create unexpected images, and at the same time, symbolically unites the Baltic countries - the photographs of the present seem to respond to the common historical memory of the three countries; the image becomes a motive for a common future. The Baltic Salt Print technique essentially questions the photographic medium itself, giving it a local specificity.

    Gintautas Trimakas (1958) is a Lithuanian photographer, a passionate practitioner of alternative photographic processes, a laureate of the Lithuanian National Culture and Art Prize and a tutor at the Vilnius Academy of Arts. Trimakas represents the so-called generation of conceptualists in Lithuania, who in the 1980s turned to the materiality of photography, creating unique imprints, objects and installations. He often dedicates his philosophical works to various creative individuals, for example, to the painters Edvard Munch and Mikalojus Konstantinas Čiurlionis or photo pioneer Henry Fox Talbot. In his series Responses he photographed shadows with an old Nokia phone, while for the series Greeting he captured the sky, only later finding out that data errors had occurred in the files. In the series Bicycle Stops he used a pinhole camera placedon the bicycle luggage rack, documenting the cityscapes in the direction of the sky. The exposure time coincided with coffee or cigarette breaks. Breaking the established rules, Trimakas continues to develop unique strategies of expression in his work, experimenting with various techniques and ways of extracting photographic images.

     

     


  3. Nature in Colours

    Super8 colour reversal workshop with Vytautas Juozėnas (Spongė Lab, LT)


    With a keen interest in physics and chemistry, Vytautas will provide a deep insight into analog colour film – offering a theoretical introduction to the physical as well as chemical nature of colour reversal film. Participants will have an opportunity to shoot, process and project super8 film and learn to operate both the camera and projector. The workshop will be exclusively dedicated to shooting Kodak Ektachrome reversal super8 film and hand-processing it in E6 chemistry.

    During the summer school participants will have an opportunity to shoot their own super8 films in groups and process them in the darkroom with assistance of the teacher.

     

    Vytautas Juozenas (1990) is a filmmaker and artist from Vilnius who has graduated from the Vilnius Academy of Art Photography Department. Has worked with analog film and photography for many years – both in the lab as well as teaching analog image-making in workshops in Lithuania, Berlin and Latvia. His works have been shown in European art and cinema spaces. He is also a member of the analog film collective Sponge Lab and mostly works in the camera department on film sets. Apart from his practice in visual arts and film, he is extensively involved in the Vilnius electronic music scene as a member of the sound collective Samopal Sound Systems who are organising underground techno parties, as well as building their own sound equipment starting from analog sythesizers to speakers. 

    http://www.6p3s.eu/

     




  4. The Secrets and Possibilities of the Light Trap

    Photography workshop with Krista Mölder (EE)


    The workshop will explore the phenomenon of the light trap as a philosophical metaphor and a scenographic method, referring to shadow theatre or stage. A captivating image of night butterflies or moths flying towards the light can be used to bond and juxtapose the half-tones of life as well as innate and opposing human urges.

     

    The word “photography” comes from the Greek "drawing with the light". During the workshop, we will construct and photograph light traps as metaphorical spaces and let the light work for us, initiating a metaphorical shadow theatre. The participants will be encouraged to observe, create and record the light in various locations in the park and manor house. 


    The workshop will aim to expand the thinking of the participants through finding parallels with the surrounding environment and behavior of other life forms (like moths). In this context seriality will be important – participants will be encouraged to work in contemplative series rather than create single images.


    A digital camera with high light sensitivity is preferable, but you can work with any medium.

     

    Krista Mölder (1972) is an Estonian photo artist who lives and works in Tallinn. Her works focus on universalized space and viewer experience. The artist uses references and riddle motifs to study relationships between people and the environment. Having visited Japan on several occasions, she has drawn influence from its architecture and culture.

    Krista Mölder graduated from the Department of Photography of Tartu Art College in 2001, received an MA degree in photography at the University of Westminster in London in 2004, and another MA at the Department of Photography of the Estonian Academy of Arts in 2006. She was a nominee for the Köler Prize in 2016. She has taken part in exhibitions since the 2000s and had solo shows at the Tallinn Art Hall Gallery, Kumu Art Museum, Contemporary Art Museum of Estonia, at the Kanzan Gallery, Tokyo, among the few. In 2011, Mölder was invited by EU Japan Fest to participate in the project “European Eyes on Japan”.

    She has been a lecturer at the Estonian Academy of Arts since 2003.

    https://kristamolder.com/


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